
Review | Jason Isbell touches on heartbreak and addiction in new album ‘Foxes in the Snow’
By Dylan Paradise, Staff Writer
• March 13, 2025

97th Academy Awards post-mortem: Should we replace the Academy voters with a poll on Letterboxd?
By Ore Fawole, Staff Writer
• March 12, 2025

Review | Drake and PARTYNEXTDOOR spread the love on Valentine’s Day with ‘$ome $exy $ongs 4 U’
By Dylan Paradise, Staff Writer
• February 26, 2025

Review | The Lumineers’ new album, ‘Automatic,’ feels recycled
By Sage Rosenfeld, Staff Writer
• February 26, 2025

Pitt Stages brings back the ‘90s in boy-band-centric play ‘Morning Reckoning’
By Daniella Levick, Staff Writer
• February 21, 2025

‘Bridget Jones: Mad About the Boy’ is more than a love story
By Mollie Young, Staff Writer
• February 21, 2025

Review | I Love Keke Palmer, but ‘One of Them Days’ needs to pick a side
By Sage Rosenfeld, Staff Writer
• February 17, 2025

Review | FKA Twigs Wants to Know If You’re Feeling Eusexua
By Wendy Moore, Staff Writer
• February 5, 2025

Review | Mac Miller’s ‘Balloonerism’ strikes a chord with listeners
By Sage Rosenfeld, Staff Writer
• February 4, 2025

Review | ‘Hurry Up Tomorrow’ serves as a fitting finale to The Weeknd
By Dylan Paradise, Staff Writer
• February 3, 2025
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By Sydney Krasniewski, Staff Writer • 12:31 pm
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By Conor Hutchison, Senior Staff Writer • 10:45 am
By James Carter, Staff Writer • 10:41 am