Micro-reviews of the 2024 Best Picture nominees
By Ore Fawole, Staff Writer
• February 25, 2024
Review | ‘The Holdovers’ captures the beauty in nostalgia, no matter the era
By Ore Fawole, Staff Writer
• February 9, 2024
Review | Green Day’s ‘Saviors’ might be the best pop punk album of the year
By Irene Moran, Staff Columnist
• February 1, 2024
Meaning at the Movies | Richard Linklater’s “Before Sunrise” and its statements on love, connection and independence
By Lauren Deaton, Staff Writer
• February 1, 2024
Review | ‘The Boy and the Heron’ is a stunning and heartwarming masterpiece
By Nada Abdulaziz, Senior Staff Writer
• January 29, 2024
Review | ‘Poor Things’ is an aptly named visual masterpiece, thematic disaster
By Ore Fawole, Staff Writer
• January 19, 2024
Review | ‘Saltburn’ — you are what you eat
By Irene Castillo, Staff Writer
• January 15, 2024
Review | ‘The Ballad of Songbirds and Snakes’ lives up to expectations
By Gabriella Garvin, Senior Staff Writer
• November 28, 2023
Review | The 1975’s eccentric and stunning ‘Still… At Their Very Best’ tour visits Pittsburgh
By Trinity Foster, Senior Staff Writer
• November 28, 2023
For the Plot | Misfit book review
By Emily Handrahan, Staff Writer
• November 5, 2023
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By Aidan Kasner, Sports Editor • 11:02 am
By Emily O'Neil, Senior Staff Columnist • 1:17 am
By Irene Moran, Senior Staff Columnist • 1:07 am
By Katie Hovan, Staff Writer • 1:06 am
By Madeline Ward, Staff Writer • January 21, 2025