Review | ‘Killers of the Flower Moon’ is a harrowing epic of greed and terror in the Osage community
By Ore Fawole, Staff Writer
• November 3, 2023
Review | Taylor Swift’s 1989 (Taylor’s Version) is timeless nostalgia
By Casey Carter, Staff Writer
• November 1, 2023
‘The Fall of the House of Usher’ is as satisfying as it is brutal
By Ryleigh Lord, Contributing Editor
• October 26, 2023
Review | Taylor Swift’s ‘Eras Tour’ film is a triumph of ingenuity
By Daniella Levick, Staff Writer
• October 16, 2023
Review | Olivia Rodrigo’s ‘GUTS’ beats the sophomore slump
By Carissa Canzona, Staff Writer
• October 1, 2023
Review | Noah Kahan’s ‘Stick Season’ tour is like therapy for the homesick college student
By Trinity Foster, Senior Staff Writer
• September 25, 2023
Review: ‘Theater Camp’ is where ‘Hamilton’ phases never end
By Ore Fawole, Staff Writer
• September 24, 2023
Review: ‘Bottoms’ is a lesbian movie that’s not emotionally exhausting
By Ryleigh Lord, Contributing Editor
• September 14, 2023
“The Bear” season two review: the most rewarding show on television
By Ryleigh Lord, Culture Editor
• June 28, 2023
Review | Boygenius captivates audience at Stage AE
By Pamela Smith, Editor-in-Chief
• June 22, 2023
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By Anna Kuntz, Senior Staff Writer • May 14, 2024
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By Abby Lipold, News Editor • April 29, 2024
By Abby Lipold, Assistant News Editor • April 28, 2024
By Betul Tuncer, Editor-in-Chief • April 27, 2024