
Pitt Stages production ‘Corsicana’ reimagines inclusivity, accessibility in the Heymann Theater
By Daniella Levick, Staff Writer
• November 15, 2023

Brothers Grimm Spectaculathon brings fairy tales to life
By Irene Castillo, Staff Writer
• November 5, 2023

Pitt Stages production ‘John Proctor is the Villain’ questions classroom narratives with feminism and friendship
By Tanya Babbar, Staff Writer
• October 24, 2023

Pitt Stages plans four productions for the 2023-24 season
By Patrick Swain, Culture Editor
• September 28, 2023

Pitt Stage’s new musical comedy ‘Abduction’ is ‘out of this world’
By Trinity Foster, Senior Staff Writer
• April 12, 2023

Pitt Stages brings August Wilson’s ‘Seven Guitars’ back to Pittsburgh
By Sarah Pine, For The Pitt News
• February 19, 2023

‘The 39 Steps’ showcases student talent in comedic mystery play
By Katelyn Kruszewski, Staff Writer
• October 24, 2022

Pitt Stages’ ‘Emilia’ tells the story of a forgotten female poet
By Katelyn Kruszewski, Staff Writer
• April 7, 2022

‘Why We Have A Body’ contemplates physical, emotional burdens of women
By Diana Velasquez, Culture Editor
• March 31, 2022

Pitt playwrights experiment during one-act play reading
By Jessica McKenzie, Senior Staff Writer
• March 27, 2022
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