Review | On Beyoncé’s ‘Cowboy Carter,’ the Texan trailblazer defiantly celebrates her country roots
By Irene Castillo, Staff Writer
• April 5, 2024
The Ladybug | ‘Joy Ride’ and accepting love
By Abigail Duncan, Staff Writer
• April 4, 2024
Review | Netflix’s ‘One Day’ is an authentic, compelling story of love across decades
By Casey Carter, Staff Writer
• March 21, 2024
Review | ‘Dune: Part Two’ perfects the science fiction film formula
By Ore Fawole, Staff Writer
• March 17, 2024
Review | Live-action ‘Avatar’ series brings needed representation, but falls short of the original
By Irene Castillo, Staff Writer
• March 5, 2024
Micro-reviews of the 2024 Best Picture nominees
By Ore Fawole, Staff Writer
• February 25, 2024
Review | ‘The Holdovers’ captures the beauty in nostalgia, no matter the era
By Ore Fawole, Staff Writer
• February 9, 2024
Review | Green Day’s ‘Saviors’ might be the best pop punk album of the year
By Irene Moran, Staff Columnist
• February 2, 2024
Meaning at the Movies | Richard Linklater’s “Before Sunrise” and its statements on love, connection and independence
By Lauren Deaton, Staff Writer
• February 2, 2024
Review | ‘The Boy and the Heron’ is a stunning and heartwarming masterpiece
By Nada Abdulaziz, Senior Staff Writer
• January 30, 2024
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By The Pitt News Staff • April 26, 2024
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