Review | ‘The Holdovers’ captures the beauty in nostalgia, no matter the era
By Ore Fawole, Staff Writer
• February 9, 2024
Review | Green Day’s ‘Saviors’ might be the best pop punk album of the year
By Irene Moran, Staff Columnist
• February 2, 2024
Review | ‘The Boy and the Heron’ is a stunning and heartwarming masterpiece
By Nada Abdulaziz, Senior Staff Writer
• January 30, 2024
Review | ‘Poor Things’ is an aptly named visual masterpiece, thematic disaster
By Ore Fawole, Staff Writer
• January 19, 2024
Review | ‘Saltburn’ — you are what you eat
By Irene Castillo, Staff Writer
• January 15, 2024
Review | Gianmarco Soresi delivers a stellar stand-up set at Pittsburgh Improv
By Patrick Swain, Culture Editor
• December 8, 2023
Review | ‘The Ballad of Songbirds and Snakes’ lives up to expectations
By Gabriella Garvin, Senior Staff Writer
• November 28, 2023
Review | The 1975’s eccentric and stunning ‘Still… At Their Very Best’ tour visits Pittsburgh
By Trinity Foster, Senior Staff Writer
• November 28, 2023
Review: ‘The Marvels’ is a bright light in the darkness of Marvel’s recent failures
By Ore Fawole, Staff Writer
• November 13, 2023
Review | ‘Five Nights at Freddy’s’ leaves viewers without a remnant of satisfaction
By Thomas Riley, Contributing Editor
• November 5, 2023
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By The Pitt News Staff • April 26, 2024