Review | ‘Killers of the Flower Moon’ is a harrowing epic of greed and terror in the Osage community
By Ore Fawole, Staff Writer
• November 2, 2023
Review | Taylor Swift’s 1989 (Taylor’s Version) is timeless nostalgia
By Casey Carter, Staff Writer
• October 31, 2023
‘The Fall of the House of Usher’ is as satisfying as it is brutal
By Ryleigh Lord, Contributing Editor
• October 26, 2023
Mimesis | Appetite: Moshfegh’s Approach to Hunger and Humanity
By Chloe Woodruff, Staff Writer
• October 22, 2023
Review | Olivia Rodrigo’s ‘GUTS’ beats the sophomore slump
By Carissa Canzona, Staff Writer
• October 1, 2023
Review: ‘Theater Camp’ is where ‘Hamilton’ phases never end
By Ore Fawole, Staff Writer
• September 24, 2023
Review: ‘Bottoms’ is a lesbian movie that’s not emotionally exhausting
By Ryleigh Lord, Contributing Editor
• September 14, 2023
‘Fascinating and terrifying’: Yellowjackets season two portrays the complexities of teenage trauma
By Ryleigh Lord, Contributing Editor
• May 30, 2023
Review | ‘Ant-Man and the Wasp: Quantumania’ — Marvel’s phase five is off to an ant-sized start
By Ore Fawole, For The Pitt News
• March 2, 2023
Review | ‘Violent Night’ — Santa goes full viking
By Jacob Mraz, Staff Writer
• December 9, 2022
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By Alex Porter, Senior Staff Writer • December 7, 2024
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