Pitt Stages production ‘John Proctor is the Villain’ questions classroom narratives with feminism and friendship
By Tanya Babbar, Staff Writer
• October 24, 2023
Opinion | You don’t hate Shakespeare, you were just taught it wrong
By Abigail Dobry, Staff Columnist
• October 16, 2023
‘Elle Woods is everything’: Pitt Musical Theatre Club performs with pink positivity in ‘Legally Blonde’
By Trinity Foster, Senior Staff Writer
• October 6, 2023
Pitt students present an amateur stage adaptation of ‘The Nightman Cometh’
By Patrick Swain, Culture Editor
• October 1, 2023
Pitt Stages plans four productions for the 2023-24 season
By Patrick Swain, Culture Editor
• September 28, 2023
A Tab Bit of Tea | Turning Marina Bay into Swan Lake
By Elizabeth Amstutz, Staff Writer
• September 17, 2023
Shakespeare’s ‘Cleopatra and Antony’ brings ancient worlds to life in Pittsburgh parks
By Nada Abdulaziz, Staff Writer
• September 11, 2023
Quantum Theatre’s ‘The Devil is a Lie’ brings a new form of audience participation to the stage
By Ore Fawole, Staff Writer
• April 13, 2023
‘The 39 Steps’ showcases student talent in comedic mystery play
By Katelyn Kruszewski, Staff Writer
• October 25, 2022
Comedy and censorship featured in ‘I’m Not a Comedian… I’m Lenny Bruce’
By Toni Jackson, Staff Writer
• October 23, 2022
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By Abby Lipold, News Editor • April 29, 2024
By Abby Lipold, Assistant News Editor • April 28, 2024
By Betul Tuncer, Editor-in-Chief • April 27, 2024
By The Pitt News Staff • April 26, 2024
By Contributors • April 25, 2024