
97th Academy Awards post-mortem: Should we replace the Academy voters with a poll on Letterboxd?
By Ore Fawole, Staff Writer
• March 12, 2025

‘Bridget Jones: Mad About the Boy’ is more than a love story
By Mollie Young, Staff Writer
• February 21, 2025

Review | I Love Keke Palmer, but ‘One of Them Days’ needs to pick a side
By Sage Rosenfeld, Staff Writer
• February 17, 2025

The Force is strong in Pittsburgh after ‘Star Wars’ In Concert
By Maxine Van Nortwick, Staff Writer
• February 11, 2025

Review | ‘The Brutalist’ is what the Oscars want you to like and Twitter wants you to hate
By Ore Fawole, Staff Writer
• January 28, 2025

Review | Glitz, Glamor and Tears in ‘The Last Showgirl’
By Sage Rosenfeld, Staff Writer
• January 27, 2025

Review | ‘Gladiator II’ is hollowly enjoyable, a shadow of its predecessor
By Ore Fawole, Staff Writer
• December 4, 2024

‘Anora’ will have you laughing, dancing and crying
By Sage Rosenfeld, Staff Writer
• December 4, 2024

Review | ‘Conclave’ Successfully Blends the Historical and the Modern
By Wendy Moore, Staff Writer
• December 2, 2024

Mascaro Center hosts “Hidden Rivers” screening at Frick Fine Arts
By Wendy Moore, Staff Writer
• November 11, 2024
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By Mollie Young, Staff Writer • 12:51 am
By Livia LaMarca, Assistant Opinions Editor • 12:02 am
By Julien Holbrook, Staff Writer • March 27, 2025
By Alex Kiger, Staff Writer • March 27, 2025