Review | ‘Gladiator II’ is hollowly enjoyable, a shadow of its predecessor
By Ore Fawole, Staff Writer
• December 4, 2024
‘Anora’ will have you laughing, dancing and crying
By Sage Rosenfeld, Staff Writer
• December 4, 2024
Review | ‘Conclave’ Successfully Blends the Historical and the Modern
By Wendy Moore, Staff Writer
• December 2, 2024
Mascaro Center hosts “Hidden Rivers” screening at Frick Fine Arts
By Wendy Moore, Staff Writer
• November 10, 2024
Review | ‘Saturday Night’ overwhelms and excites
By Wendy Moore, Staff Writer
• November 1, 2024
‘The Rocky Horror Picture Show’ closes out LGBTQIA+ history month
By Sage Rosenfeld, Staff Writer
• October 28, 2024
Review | ‘Joker: Folie à Deux’ is a movie made for nobody
By Ore Fawole, Staff Writer
• October 11, 2024
Review | ‘Megalopolis’ is Coppola at his most egotistical, narratively repugnant, creatively stimulating
By Ore Fawole, Staff Writer
• October 3, 2024
Pitt Center for Latin American Studies hosts Brazilian rapper Emicida
By Sage Rosenfeld, Staff Writer
• September 30, 2024
Review | ‘It Ends with Us’ is bad on paper, nothing on screen
By Ore Fawole, Staff Writer
• September 10, 2024
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By Matthew Scabilloni, Assistant Sports Editor • December 20, 2024
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