
Review | Glitz, Glamor and Tears in ‘The Last Showgirl’
By Sage Rosenfeld, Staff Writer
• January 27, 2025

Review | With ‘Lana: SOS Deluxe’, SZA leaves no doubt that she’s the queen of R&B
By Dylan Paradise, Staff Writer
• January 24, 2025
A look back at The Pitt News Culture Staff’s favorites and notables
By The Pitt News Staff
• January 22, 2025

Review | Bad Bunny’s ‘DeBÍ TiRAR MáS FOToS’ turns over a new leaf in an ode to Puerto Rico
By Irene Castillo, Staff Writer
• January 21, 2025

Franz Ferdinand disappoints with new album ‘The Human Fear’
By Maxine Van Nortwick, Staff Writer
• January 15, 2025

Review | Hip Hop’s King caps off historic 2024 with ‘GNX’
By Dylan Paradise, Staff Writer
• January 10, 2025

Defying expectations and gravity: Why I’m holding space for the new ‘Wicked’ movie
By Maxine Van Nortwick, Staff Writer
• January 6, 2025

Review | ‘Gladiator II’ is hollowly enjoyable, a shadow of its predecessor
By Ore Fawole, Staff Writer
• December 4, 2024

‘Anora’ will have you laughing, dancing and crying
By Sage Rosenfeld, Staff Writer
• December 4, 2024

Review | ‘Conclave’ Successfully Blends the Historical and the Modern
By Wendy Moore, Staff Writer
• December 2, 2024
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By Livia LaMarca, Assistant Opinions Editor • 2:56 am
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By Julien Holbrook, Staff Writer • April 10, 2025
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By Livia LaMarca, Assistant Opinions Editor • 2:56 am
By Emma Meo, Staff Writer • 12:51 am
By Maxine Van Nortwick, Staff Writer • 12:48 am
By Julien Holbrook, Staff Writer • April 10, 2025