Blogs Archives - Page 5 of 72

Who Asked? // Why am I unmotivated?

By Brynn Murawski, Staff Writer • October 29, 2024

This installment of Who Asked? by staff writer Brynn Murawski seeks to find the true culprit of a no-motivation epidemic.

Fully Booked | Why I Love Memoirs

By Evin Verbrugge, Staff Writer • October 29, 2024

In this edition of Fully Booked, staff writer Evin Verbrugge discusses why she loves reading memoirs

A Good Hill to Die On | Football for the Future?

By Sierra O'Neil, Staff Writer • October 29, 2024

This addition of A Good Hill to Die On talks about the future of the University of Pittsburgh as its football and other sports teams are transforming for the better.

Do You Not Get the Concept? // Do I have to make lemonade with lemons?

By Maya Douge, Staff Writer • October 29, 2024

In this first edition of ‘Do You Not Get the Concept?’ Maya Douge explores the album ‘Lemonade’ by Beyoncé and its themes of grief and complex outlook on infidelity.

A Good Hill to Die On | Price of the Planet

By Sierra O'Neil, Staff Writer • October 25, 2024

This addition of A Good Hill to Die On discusses the criteria we set for the world of fast fashion.

Meaning at the Movies | “We Live in Time” and the persistence of love

By Lauren Deaton, Staff Writer • October 25, 2024

In this edition of “Meaning at the Movies,” staff writer Lauren Deaton explores her reaction to the new film “We Live in Time” and the messages it provides about love and loss.

Don’t Be a Stranger | Sisters Sans Blood

By Sophia Viggiano, Staff Writer • October 25, 2024

In this edition of Don’t Be a Stranger, staff writer Sophia Viggiano discusses the beautiful and irreplicable intricacies that exist in friendships between women

Couch Critic // What are the limits of creative nonfiction?

By Emily Harris, Staff Writer • October 22, 2024

In this edition of Couch Critic, Emily Harris offers a critical commentary on Ryan Murphy’s newest controversy, “Monsters: The Lyle and Erik Menendez Story.” She challenges the creative liberties and the ethical ambiguities of true crime dramas.